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Found 56 results

  1. Hello everyone, I'm new to this forum, but I hope the category I chose is right. I'm Martith, a Polish artist adventuring abroad (currently Chile), self-proclaimed fox fanatic, with nature as a close second I'm self-taught, painting digitally for almost 6 years now. I love painting animals and doing photo studies. I'd love to present you some of my artworks. For photo studies I use mostly pictures licensed with CC0 license. Some of the artworks I've made are commissions, therefore I used photos belonging to their rightful owners My portfolio: http://martith.art ArtByte address: AV8cu6oG2tCBwbapsz3Xxhu6R2fshGES6h Other art socials: DeviantArt | YouTube | Instagram | ArtStation Thanks for checking out ♥
  2. Giuseppe Muscio | Hyperrealist Painter

    Giuseppe Muscio | Hyperrealist Painter Italian painter ⎆ Giuseppe Muscio was born in Orta Nova, a small town situated in the historical and cultural region of Apulia. "I was fascinated by the majestic landscape around me and realized that I was born to be an artist and painter. If I close my eyes, I still can smell the perfume of the rows of vines, the fragrance of the olives and the almonds. I immediately began to reproduce what I could see onto drawing sheets, which my grandfather would give me. Soon, I moved to Milan with my family, leaving behind my roots and my love for the region. I was passionate about painting; I studied the painting’s techniques of the greatest painters of 16th, 17th and 18th centuries. I also experimented with various painting techniques using scientific methods". Giuseppe Muscio è nato ad Orta Nova. Ha studiato le tecniche della pittura dei più grandi pittori del sedicesimo, diciassettesimo e diciottesimo secolo. Ha anche sperimentato varie tecniche pittoriche utilizzando metodi scientifici. Ha incontrato grandi Maestri come Giorgio De Chirico ⎆, Domenico Cantatore, Renato Guttuso ⎆. Frequentava i loro studi, dove ha imparato nuove tecniche e ho visto nuove idee migliorando così le sue conoscenze e le abilità pittoriche. Follow me for more such Artists' & Artworks SUJITH PUTHRAN
  3. Watercolor on Paper | Realism

    Title: Meditation Medium: Watercolor on Paper Size : 68.5 x 53 cms "Meditation is the highest form of control over your mind, ballet is the art of attaining the highest form of discipline over the body" do comment if you like my artworks
  4. The spider web

    Hi, the spider web is my last oil painting. I want to show you some stages of the painting progress hope you enjoy it. For the first layer, called underpainting, I have painted with brown and yellow ochre colours. I paid more attention to define the colour and light of the background. Basically, I used Burnt Umber, Titanium White, Yellow Ochre Pale and Ultramarine Light. Here I define some plants and leaves for the front using the same palette used previously. (The different tone is because I took this picture at night). At this stage, I start to place the flowers and give some green touches to the leaves in front. For the green colour, I made a mixture of grey and yellow (Paine's Gray and Cadmium Lemon). Now, my palette consists of different degrees of green that I made with Lamp Black, Cadmium Lemon and Titanium White. Here, for the leaves of the tree, I made almost the same mixture of green but with more yellow and I used a little yellow ocher as well. I worked on the flowers by adding white. With the colour white too, I drew the spider web. This is the finished painting. The following images show some details. Hope you liked these images. Thanks for regarding!!
  5. Untitled

    From the album Digital works

    © J.Van de Perre

  6. Orange

    From the album Digital works

    © J.Van de Perre

  7. FaceStudy2

    From the album Digital works

    © J.Van de Perre

  8. hand study

    From the album Digital works

    © J.Van de Perre

  9. Pomme

    From the album Digital works

    © J.Van de Perre

  10. Drawing - charcoal on paper

    Drawing, charcoal on paper - 50 x 80 cm. - 2016
  11. Adam Stennett - Painter from NY

    Adam Stennett Adam Stennett (born 1972 in Kotzebue, Alaska) is an internationally exhibited American painter based in Brooklyn, New York best known for his hyperrealist works. He was raised in Oregon and received his Bachelor of Arts degree in from Willamette University in Salem.For several years he was the assistant to the painter Damian Loeb. His work has been the subject of three solo exhibitions at the gallery 31Grand in 2004, 2005 and 2007.In 2013 his outdoor installation transferred indoors aka his "Survival Shack" was the basis for an exhibition at the Glenn Horowitz Bookseller space in East Hampton, New York and received widespread press coverage. Education Willamette University, Salem, Oregon, BA, 1994, English / Studio Art Solo Exhibitions 2018 GALLERY POULSEN, Copenhagen, Denmark, Adam Stennett: Water Paintings, May 26 - July 1. 2016 PIONEER WORKS, Brooklyn, NY, Adam Stennett: Survival Paintings, February 11 - March 31. 2016 PIONEER WORKS, Brooklyn, NY, Adam Stennett: Arctic Artist Survival Shack Project, February 1 - 29. 2013 GLENN HOROWITZ, East Hampton, NY, Adam Stennett: Survival, Evasion and Escape (The Artist's Studio), September 7 - October 28. 2011 THE GATEWOOD GALLERY AT UNCG, Greensboro, NC, Adam Stennett: Mind Control and Other Magic Tricks, October 29 - November 12. 2008 GLENN HOROWITZ, East Hampton, NY, Adam Stennett: Off the Grid, April 12 - May 22. 2007 31GRAND, 143 Ludlow Street, New York, NY, Adam Stennett: Use Only as Directed, October 11 - November 10. 2005 31GRAND, Brooklyn, NY, Adam Stennett: Hold Me Down and Under, November 18 - January 29, 2006. 2004 SCOPE LONDON, 31Grand, Adam Stennett: New Video Work, October 15 - 18. 2004 31GRAND, Brooklyn, NY, Adam Stennett: Before the Accident, April 24 - May 23. Adam Stennett. Opium Tea (Papaver somniferum). 2008. Acrylic on paper, 30 x 44 inches Adam Stennett. Girl in Water Diagonal. 2016. Oil on wood, 48 x 72 inches
  12. StillLife-1-MMXVIII

    From the album Watercolours

    Digital watercolor - 60 x 42 cm. 7087 x 4961 px. , 300ppi 2018

    © J. Van de Perre

  13. "Spring" - Glazing & Scumbling demo

    Scumbling and Glazing are both two important oil painting techniques. In this video, I show you in simple how I applied these. Thanks for watching!!
  14. "Spring" - the underpainting.

    Hi, In my previous publication, I showed you the first sketches and drawings I made for "Spring", my oil painting project. Now I will share with you the process called "underpainting". UNDERDRAWING The first stage is the drawing on the painting support, in this case, I will use fiberboard that I have previously prepared with Gesso. I drew on a paper of 50 x 70 cm., Then I transferred the outlines to the fiberboard. IMPRIMATURHere, I painted the outlines with light brown watercolour ( it may be watercolour, ink or acrylic). Once it has well dried the outlines I apply a very transparent layer of oil painting to give a tone. I have used a mix of Burnt Umber and Yellow Ochre.What you see here is the result of this process. UNDERPAINTINGA first layer is painted with brown tones. Thanks for regarding!! My ArtByte wallet: AKgD6DN9N2YVPQ59Faa4sy5e1dMG9Z8Tm4
  15. Japanese Oil Master

    Japanese Oil painting master - Osamu Obi 1965 Born in Kanagawa, Japan 1988 Graduated from Musashino Art University (Department of Oil Painting) 1990 Completed Master's Degree Program in Oil Painting, Musashino Art University 1991 Exhibition of Grand Prize Paintings, Tokyo Central Museum. Awarded Grand Prize. 1993 Participated in Yasui Prize Exhibition 1996 Participated in Exchange Exhibition between South Korean and Japanese Oil Painters(Yo kohama & S eoul ) 1999 Hakujitsukai Art Exhibition, Incentive Award of Minister of Education 2004 6th Kanji Maeda Grand Prize Exhibition, Semi-grand-prix (Takashimaya Nihonbashi, Kurayoshi Museum) 2005 2nd Beauty of Existence Exhibition (Takashimaya, Tokyo and other places) 2006 Hakujitsukai Art Exhibition, The Prime Minister Award 2009 "The Tewaza" Exhibition (Mitsukoshi Nihonbashi) 2010 Beauty of Existence Exhibition (Takashimaya, Tokyo and other places) Scheduled to study in Paris for a year under the Japanese Government Overseas Study Programme for Artists 2012 Beauty of Existence Exhibition (Takashimaya, Tokyo and other places) "The Tewaza" Exhibition (Mitsukoshi Nihonbashi) Solo Exhibition 1999 Shunpudo Gallery (Tokyo) 2007 KIAF 2007 (Seoul Shunpudo Gallery Booth) Adjunct Instructor of Musashino Art University
  16. Behind the scenes

    From the album Oil paintings

    Oil on canvas panel - 22 x 30 cm. - 2016

    © J. Van de Perre

  17. triple portrait of my doggy

    From the album Oil paintings

    Oil on canvas – 50 x 65 cm. – 2017
  18. Oil painting on fiberboard, 50 x 70 cm. (19.69 x 27.56 in.) - 2017 Awarded: 1st. place - Painting category - 7th Annual "Figurative" 2017 Online Art Exhibition - Light Space Art Online Gallery https://www.lightspacetime.art/figurative-2017-online-art-exhibition-painting-category/ https://www.artsy.net/artwork/jorge-van-de-perre-little-fringed-red-blanket Details I hope you enjoyed this work. Thanks for regarding!! if you have appreciated my work in this publication: My ArtByte wallet: AKgD6DN9N2YVPQ59Faa4sy5e1dMG9Z8Tm4
  19. Hi, In a previous post, I published photos of different stages of the development of one of my oil paintings, but I did not give enough explanation about the painting process. I apologize for that. I would like to place some videos that I have taken from other works, but I don´t know how to upload them to this site. If anyone knows how I can do it, I´ll be grateful to receive your instructions. Now in this post, I explain in more detail and I tell you about the paint and colours I used. Hope this may be useful for some of you. Underdrawing On a wooden panel previously painted with a thin layer of oil paint as an imprimatur, I traced the outlines.I used a mix of Yellow Ochre with a bit Burnt Umber for the imprimatur. I drew the outlines with Raw Umber, water-based paint. Underpainting To paint the pot I used Raw Umber, French Ultramarine and Titanium White. For the background, I used Olive Green, Cadmium Lemon Hue and Titanium White. Then, a second layer using a mix of Burnt Umber and French Ultramarine for the darkest areas. A second layer, for the background too, always with the same colours I used previously for this. At this stage, some details are added and I look for those areas that need to be darker and the others that need to be more illuminated to accentuate them.So, the underpainting is finished. Overpainting This stage is the result of several layers of paint, transparent and semi-transparent in order to get the colour, the texture and ambient light.
  20. Little fringed red blanket

    From the album Oil paintings

    Oil on fiberboard - 50 x 70 cm. (19.69 x 27.56 in.) - 2017

    © J. Van de Perre

  21. Reaching butterflies

    From the album Oil paintings

    Oil painting on fiberboard - 65 x 48 cm. - 2013

    © J. Van de Perre

  22. Žarkovi

    From the album Paintings

    oil on hardboard
  23. Selfportrait

    From the album Paintings

    oil on hardboard
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