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Found 42 results

  1. Detail from the Pic before

    From the album Painting on Wood

    © istvan seidel

  2. I would like to share with you a short demo video to show you how to make a beautiful and natural green colour using black, yellow and white. My favourite oil paintings are those of Winsor & Newton , I think the relationship between quality and price is very convenient. And more ... I always try to use the "Artist´s" quality, it is undoubtedly the best. Learning to mix oil paints is highly recommended because you get the colour you want and it´s cheap because you don´t spend money purchasing all the colours you need, instead you can count on a limited range of colours bu the best quality of them. Don't be afraid to buy the best oil paintings you need, a good quality tube will be much better than several of poor quality. The interesting thing is to know what colours to get. Well, here I leave an example to follow. To get the green I needed, I used "Lamp Black", "Cadmium Lemon" and "Titanium White" (W&N of course). To know about some technical references as permanence, pigments quality, opacity and price visit this Amazon´s page. I used this mixing to give colour to this painting: Thanks so much for watching!! Hope it's useful for you.
  3. The Spiderweb

    From the album Oil paintings

    oil painting, 50 x 65cm - 2018
  4. Oil painting - underpainting demo

  5. Fito, composition for an oil painting

    Hi, this time I would like to share with you the steps I did for "Fito, triple portrait of my doggie", an oil painting you can see in my gallery. I leave this first video where I show the composition process Thanks for watching!! Hope you have enjoyed it.
  6. A triple oil portrait of my doggie.

    Hi, I´m glad to leave you the last video demo, where I show the oil overpainting process. Fito, a triple portrait of my doggie - oil on canvas - 50 x 65 cm - 2017 Thanks for watching!!
  7. The Mona Lisant

    From the album My Various Works

    An oil painting done with humor in mind and as an homage to Leonardo Davinci famous piece, and referencing Yukinori Yanagi's work with ants.
  8. A triple oil portrait of my doggie.

    Hi, I´m glad to leave you the last video demo, where I show the oil overpainting process. Fito, a triple portrait of my doggie - oil on canvas - 50 x 65 cm - 2017 Thanks for watching!!
  9. Summer house.jpg

    From the album Oil Paintings

  10. David Gray David's signature style reveals a personal and contemporary expression of beauty and order which pays homage to the Classical Tradition in its craftsmanship. Collectors of David's work often relate that his painting evokes a sense of peace, stillness, or a contemplative mood. His award-winning works have been covered by major art publications including Southwest Art, Art of the West, and American Art Collector. David also teaches several workshops per year in portraiture and still life painting throughout the United States and abroad. Fans of David's work will notice a change in style beginning in late 2017. This new style, while retaining the mastery of draftsmanship characteristic of earlier work, finds a new freedom of brushwork and color application. This new dialect of painting is influenced in part by French Impressionism of the late 19th century, particularly the work of Monet. Forms are often suggested rather than completely rendered, though a solidly sculpted structure is still evident. David's former work communicated a stirring beauty and meditative stillness. His current painting will push that expression into a new strength of emotion through bold brushwork, inventiveness, and a new found creative conviction. Education and Instructors Ten Day Figure Painting Workshop, Douglas Flynt, The Grand Central Academy of Art, New York, NY Hans Nordlund, Tacoma Academy of Fine Art, Tacoma, WA Terry Furchgott, Gage Academy of Art, Seattle, WA Bachelor of Fine Art, Pacific Lutheran University, Tacoma, WA
  11. Hello everyone, I am an artist from India facebook page: https://www.facebook.com/sujithputhranartist website: https://rockersujith.wixsite.com/sujithputhran Artbyte Address: AbcixgYXTTbXd2pgQhwhiYzKcpRFm2fcm4
  12. "Spring" - Glazing & Scumbling demo

    Scumbling and Glazing are both two important oil painting techniques. In this video, I show you in simple how I applied these. Thanks for watching!!
  13. Spring - finished work

    Spring Oil on fiberboard - 50 x 710 cm. - 2017 http://jorgevandeperre.com/en/about/ Details Thanks for regarding!!
  14. Hi, These are some steps in the overpainting process, that is, adding colours. For the sky, I used Payne´s Gray mixed with French Ultramarine and adding a bit of Titanium White The green dress, I painted with a mix of Viridian and Cadmium Lemon. The red colour I used here for the hat and shoulders is Indian Red. For the ground, I used Burnt Umber, Yellow Ochre Pale and Titanium White of course. Detail In order to give to the butterflies a vivid colour, I've painted these with white before applying the colours. Here, the butterflies are painted. I begin to give a second layer to the green colour. I gave another layer to the sky too. Here I am working on the sleeves of the dress, painting them with a pink colour I made with Alizarin Crimson and Zinc White. Thanks for regarding!! My ArtByte wallet: AKgD6DN9N2YVPQ59Faa4sy5e1dMG9Z8Tm4
  15. Hi, These are some steps in the overpainting process, that is, adding colours. For the sky, I used Payne´s Gray mixed with French Ultramarine and adding a bit of Titanium White The green dress, I painted with a mix of Viridian and Cadmium Lemon. The red colour I used here for the hat and shoulders is Indian Red. For the ground, I used Burnt Umber, Yellow Ochre Pale and Titanium White of course. Detail In order to give to the butterflies a vivid colour, I've painted these with white before applying the colours. Here, the butterflies are painted. I begin to give a second layer to the green colour. I gave another layer to the sky too. Here I am working on the sleeves of the dress, painting them with a pink colour I made with Alizarin Crimson and Zinc White. Thanks for regarding!! My ArtByte wallet: AKgD6DN9N2YVPQ59Faa4sy5e1dMG9Z8Tm4
  16. "Spring" - the underpainting.

    Hi, In my previous publication, I showed you the first sketches and drawings I made for "Spring", my oil painting project. Now I will share with you the process called "underpainting". UNDERDRAWING The first stage is the drawing on the painting support, in this case, I will use fiberboard that I have previously prepared with Gesso. I drew on a paper of 50 x 70 cm., Then I transferred the outlines to the fiberboard. IMPRIMATURHere, I painted the outlines with light brown watercolour ( it may be watercolour, ink or acrylic). Once it has well dried the outlines I apply a very transparent layer of oil painting to give a tone. I have used a mix of Burnt Umber and Yellow Ochre.What you see here is the result of this process. UNDERPAINTINGA first layer is painted with brown tones. Thanks for regarding!! My ArtByte wallet: AKgD6DN9N2YVPQ59Faa4sy5e1dMG9Z8Tm4
  17. Japanese Oil Master

    Japanese Oil painting master - Osamu Obi 1965 Born in Kanagawa, Japan 1988 Graduated from Musashino Art University (Department of Oil Painting) 1990 Completed Master's Degree Program in Oil Painting, Musashino Art University 1991 Exhibition of Grand Prize Paintings, Tokyo Central Museum. Awarded Grand Prize. 1993 Participated in Yasui Prize Exhibition 1996 Participated in Exchange Exhibition between South Korean and Japanese Oil Painters(Yo kohama & S eoul ) 1999 Hakujitsukai Art Exhibition, Incentive Award of Minister of Education 2004 6th Kanji Maeda Grand Prize Exhibition, Semi-grand-prix (Takashimaya Nihonbashi, Kurayoshi Museum) 2005 2nd Beauty of Existence Exhibition (Takashimaya, Tokyo and other places) 2006 Hakujitsukai Art Exhibition, The Prime Minister Award 2009 "The Tewaza" Exhibition (Mitsukoshi Nihonbashi) 2010 Beauty of Existence Exhibition (Takashimaya, Tokyo and other places) Scheduled to study in Paris for a year under the Japanese Government Overseas Study Programme for Artists 2012 Beauty of Existence Exhibition (Takashimaya, Tokyo and other places) "The Tewaza" Exhibition (Mitsukoshi Nihonbashi) Solo Exhibition 1999 Shunpudo Gallery (Tokyo) 2007 KIAF 2007 (Seoul Shunpudo Gallery Booth) Adjunct Instructor of Musashino Art University
  18. Spring - underdrawing.

    From the album Oil paintings

    Detail, oil painting.

    © J. Van de Perre

  19. Behind the scenes

    From the album Oil paintings

    Oil on canvas panel - 22 x 30 cm. - 2016

    © J. Van de Perre

  20. Gravitas

    From the album Oil paintings

    Oil on canvas – 65 x 100 cm. – 2017

    © J. Van de Perre

  21. Spring

    From the album Oil paintings

    Oil on fiberboard - 50 x 70 cm. (19.7 x 27.6 in.) - 2017

    © J. Van de Perre

  22. Introspection.jpg

    From the album Oil paintings

    Oil on canvas - 40 x 50 cm. (17.75 x 19.69 in.) - 2016

    © J. Van de Perre

  23. Reaching butterflies

    From the album Oil paintings

    Oil painting on fiberboard - 65 x 48 cm. - 2013

    © J. Van de Perre

  24. Oil painting process - still life

    Hi, I want to show you here some steps I did to paint this still life with oil paint. 1. UNDERPAINT I drew with charcoal on an imprimatur made with a thin layer of a brown colour. 2. UNDERPAINTING - step 1 3. UNDERPAINTING - Step 2 4. OVERPAINTING - 1st. stage 5. Finished work Thanks for regarding!! ArtByte address: AKgD6DN9N2YVPQ59Faa4sy5e1dMG9Z8Tm4
  25. Old clay jug

    From the album Oil paintings

    Oil painting on fiberboard - 30 x 40 cm. - 2017

    © J. Van de Perre

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