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Found 537 results

  1. Daily Quotes

    The Open-minded see the truth in Different things, the Narrow-Minded see only the Differences
  2. Yana Movchan, 1971 | Magic Realism painter

    Yana Movchan, 1971 | Magic Realism painter Ukrainian-born Canadian painter* Yanina (Yana) Movchan was born in Kiev. Yana’s sublime mastery of the technique and structure of Renaissance painting* combines with the instinctive symbolism* of "magical realism" to create a personal neo-realist idiom. Her work is formal, yet playful; contemporary, yet timeless; and joyous, yet mysterious, evocative and dreamlike. In Yana’s paintings, the intellectual and the emotional synthesize to form images that touch the viewer’s heart whilst issuing a challenge: there are deeper meanings to be unraveled, hidden clues amongst the hyper-real still lives, portraits and animal scenes; meanings which echo deep in the unconscious mind. Reviewers have compared Movchan’s work to Velasquez, Colville and Magritte*. Yana trained at the Ukrainian Art Academy. Her master’s thesis project (a triptych entitled "Life on Earth") won the Golden Fund Prize, the Academy’s highest art award*. Her work has featured in solo and group exhibitions in the Ukraine, Prague, London and Canada. She is based in Halifax, Canada, where she lives with her husband and two young sons. AWARDS 2007 - Glenn Gould Foundation commission. Commemorative portrait of the celebrated pianist to mark the 75th anniversary of his birth. 2001 - Best Painting Award*, Annual Juried Show, Toronto Outdoor Art Exhibition. 1995 - Golden Fund Prize (the highest art award in the Ukrainian Art Academy) for "Life on Earth" (triptych, oil on canvas). 1989 - Ukrainian Art Academy Award* of Excellence for "Thoughts of Harmony" (oil on canvas). Painting accepted into the National Art Museum of Ukraine collection. "Thoughts of Harmony" received the highest possible marks and was later purchased by the Museum. La pittrice Yanina (Yana) Movchan è nata a Kiev, Ucraina. La sua pittura di stampo rinascimentale si combina col "realismo magico" creando un personalissimo stile neo-realista. Il suo lavoro è stato paragonato da molti critici a quello di Velasques, Colville e Magritte. Ha tenuto mostre personali e collettive in Ucraina, Praga, Londra e Canada. Ha sede a Halifax, Canada, dove vive con il marito e due figli. FOR MORE SUCH ARTWORKS & ARTISTS' FOLLOW SUJITH PUTHRAN
  3. Adolphe Valette | Urban landscapes of Manchester Pierre Adolphe Valette (1876-1942) was a French Impressionist painter. His most acclaimed paintings are urban landscapes of Manchester, now in the collection of Manchester Art Gallery. Today, he is chiefly remembered as L. S. Lowry's tutor. Born in St Etienne in 1876, he trained at the Ecole Municipale de Beaux-Arts et des Arts Decoratifs in Bordeaux. Valette arrived in England for unknown reasons in 1904 and studied at the Birkbeck Institute, now part of the University of London. In 1905 he travelled to the North West of England where he designed greetings cards and calendars for a Manchester printing company. He attended evening classes at Manchester Municipal School of Art and in 1907 he was invited to join the staff as a teacher. His French teaching style, painting by demonstration, was new to the United Kingdom. Lowry expressed great admiration for Valette, who taught him new techniques and showed him the potential of the urban landscape as a subject. He called him "a real teacher … a dedicated teacher". Lowry added: "I cannot over-estimate the effect on me of the coming into this drab city of Adolphe Valette, full of French impressionists, aware of everything that was going on in Paris". In 1920 Valette resigned from the Institute owing to ill health. He stayed in Lancashire for eight more years, teaching privately and painting in Manchester and Bolton. In 1928 he returned to Paris, and subsequently moved to Blacé en Beaujolais where he died in 1942. Valette's paintings are Impressionist, a style that suited the damp fogginess of Manchester. Manchester Art Gallery has a room devoted to him, where the viewer may compare some of his paintings with some of Lowry's, and judge to what extent Lowry's own style was influenced by him and by French Impressionism generally. The Lowry hosted an exhibition of about 100 works by Valette alongside works by his pupil L. S. Lowry between October 2011 and January 2012. It included paintings of Manchester from Manchester Art Gallery and loans from private owners. FOR MORE SUCH ARTWORKS & ARTISTS' FOLLOW SUJITH PUTHRAN
  4. Edward Mitchell Bannister | Tonalist painter FOR MORE SUCH ARTWORKS & ARTISTS' FOLLOW SUJITH PUTHRAN
  5. Introspection, oil painting

    Hi, I would like to share with you some stages of the painting process of my work called Introspection. Introspection Oil painting 40 x 5 cm. 2016 Drawing Grisaille Overpainting Finished work Detail Detail Framed Hanged Best regards to you all!! My wallet if you feel motivated to donate: AKgD6DN9N2YVPQ59Faa4sy5e1dMG9Z8Tm4 Thanks !!
  6. Check out the Art Installations on the LEA sims in Second Life, details on my blog: https://strawberrysingh.com/2018/06/17/art-installations-at-lea-sims
  7. Arnold Böcklin | A Modern Visionary | Symbolist painter Amajor artist of the late 19th century, the Swiss painter Arnold Böcklin (1827-1901) remains little-known in France, where his art was often reduced to the fascinating icon of only one of his many masterpieces, The Isle of the Dead. Rediscovered in the 1910s by surrealist painters - Giorgio de Chirico** and Max Ernst** in particular - who found a powerful inspiration in his fantastic and iconoclastic vision of mythology. Although it was long considered as "Germanic", if Böcklin's painting draws its inspiration in the artistic, literary and esthetical German traditions, it also breaks away from it. His first landscapes, impregnated with romanticism, took stock of the lessons of Johann Wilhelm Schirmer and Carl Friedrich Lessing with Castle in Ruin at Twilight, 1847 (Berlin, Nationalgalerie). His art also reflects a Nordic interpretation of the Latin character shared with the Deutsch-Römer, the German artists** who settled in Rome in the middle of the century. As he travelled widely, he was also influenced by other trends in European painting: Rubens**, for instance, whose memory haunts the depictions of fighting centaurs and the large fight scenes of the later years; Poussin and Le Lorrain, whose ideal landscapes are echoed in the series of Villas on the Seaside. Böcklin spent a large part of his life in Italy, where he was strongly marked by Pompeian art - Portrait of Angela Böcklin as a Muse, 1863 (Basel, Kunstmuseum) - and by the Italian Renaissance** he remembered in the sumptuous portraits and allegories of the 1870s in Munich - Self-Portrait, 1873 (Hamburg, Kunsthalle) and Anacréon's Muse, 1873 (Aarau, Aargauer Kunsthaus). To him, the Mediterranean antiquity was a golden age for humanity living in harmony with nature. His mythological creatures - Pan in the Reeds, 1859 (Munich, Neue Pinakothek), Spring Evening, 1879 (Budapest, Szepmüveszeti Museum) - express the artist's nostalgia and his deep scepticism towards modern civilisation, with affinities with the international symbolism** of the 1890s. Yet Böcklin's style, perfectly original, cannot be compared to that of any great symbolist. Rediscovering Böcklin, the surrealists highlighted the extraordinary creativity of the artist, his iconographic invention, the scholarly and iconoclastic exploration of mythology he practised, the extreme eroticism and morbidity of some of his work, the mix of genres and repertories, all that we now associate with a surprising modernity. This eclecticism is a characteristic of some large sea scenes, including Mermaids at Play, 1886 (Basel, Kunstmuseum) where tritons and naiads, lacking all idealisation, show the ferocious irony of the artist towards terrestrial and sensual appetites of the triumphant bourgeoisie of the first period of the Empire. During his stay in Naples, Böcklin developed a passion for the research carried out at the zoological station (a research centre on sea animals); they were to feed the fantastical bestiary of hybrid creatures inhabiting his paintings, especially sea scenes. Böcklin had a very high conception of the artist's destiny and of artistic creation - as testified by his impressive self-portraits, including the Self-portrait in the Workshop, 1893 (Basel, Kunstmuseum) and throughout his life he confronted, often painfully, with the fundamental questions of painting, of illusion, shape and colour. His fellow-countryman Félix Vallotton** recalls in the account in the Revue Blanche of the 50th-anniversary exhibition in Basel in 1897, how much for Böklin "to paint is a task for the elected" as he was "by turns haunted by all dreams, all ambitions: of shape, colour and expression". This perpetual quest was reflected in his traveller's life and the continuous renewal of the form of his work. After stays in Basel, Weimar and Munich, he spent the last ten years of his life in Florence, in Italy that to him was a second homeland, where he achieved Ulysses and Calypso, 1880 (Basel, Kunstmuseum) and the first version of The Isle of the Dead(Basel, Kunstmuseum). Artista di spicco di fine Ottocento, il pittore Svizzero Arnold Böcklin (1827-1901) è poco conosciuto in Francia dove la sua arte è stata spesso limitata soltanto ad uno dei suoi splendidi capolavori, L'Isola dei Morti. Riscoperto negli anni a cavallo tra il 1910-1920 da alcuni pittori surrealisti -primi fra tutti Giorgio de Chirico** Max Ernst**, molto ispirati dalla sua visione fantastica e iconoclasta della mitologia. La pittura di Böcklin, benché per un lungo periodo di tempo sia stata considerata "germanica", pur ispirandosi alle tradizioni artistiche, letterarie ed estetiche della Germania, si distacca da queste fonti. I suoi primi paesaggi impregnati di romanticismo si rifanno alle lezioni di Johann Wilhelm Schirmer e di Carl Friedrich Lessing - Castello in rovina al crepuscolo, 1847 (Berlino, Nationalgalerie). La sua pittura riflette altresì un'interpretazione nordica della latinità condivisa con i Deutsch-Römer, artisti tedeschi stabilitisi a Roma verso la metà del secolo; l'artista, inoltre, avendo a lungo viaggiato, ha subito molto l'influsso di altre correnti della storia della pittura europea: Rubens** ad esempio, il cui ricordo alberga nelle centauromachie e nelle grandi scene di combattimento degli ultimi anni; Poussin e Le Lorrain, i cui paesaggi ideali riecheggiano nella serie delle Ville in riva al mare. Böcklin ha trascorso una parte consistente della sua vita in Italia, subendo il forte influsso dell'arte pompeiana- Ritratto di Angela Böcklin in veste di musa, 1863 (Basilea, Kunstmuseum) - e del Rinascimento** italiano, del quale serba il ricordo nella fastosità dei ritratti e delle allegorie dipinti negli anni settanta del XIX secolo a Monaco - Autoritratto, 1873 (Amburgo, Kunsthalle), La musa di Anacreonte, 1873 (Aarau, Aargauer Kunsthaus). L'artista vedeva nell'antichità mediterranea un'età d'oro per l'umanità che viveva in armonia con la natura. Le sue creature mitologiche - Pan nel canneto, 1859 (Monaco, Neue Pinakothek), Sera di primavera, 1879 (Budapest, Szepmüveszeti Museum) - esprimono la nostalgia dell'artista e il suo profondo scetticismo nei confronti della civiltà moderna non senza affinità con il simbolismo** internazionale degli anni novanta del XIX secolo. Lo stile di Böcklin, tuttavia, completamente originale, non può essere paragonato a quello di nessuno dei maggiori simbolisti**. Con la riscoperta di Böcklin, i surrealisti hanno messo in evidenza la straordinaria creatività del pittore, la sua inventiva iconografica, l'esplorazione erudita ed iconoclastica della mitologia che l'artista metteva in pratica, l'erotismo e la morbosità, fuori da ogni norma, di certe opere, la commistione dei generi e dei registri, tutta una serie di fatti, questi, che si rivelano per il nostro modo si pensare di una sorprendente modernità. Questo eclettismo caratterizza alcune grandi scene raffiguranti paesaggi marini, tra cui Giochi tra le onde, 1886 (Basilea, Kunstmuseum) dove tritoni e naiadi privi di qualsiasi idealità, rivelano la feroce ironia del pittore di fronte agli appetiti terrestri e sensuali della borghesia trionfante dei primi periodi dell'Impero. Durante il suo soggiorno a Napoli, Böcklin si era appassionato alle ricerche della stazione zoologica (centro di ricerche sugli animali marini); questi studi contribuiranno ad ampliare il bestiario fantastico delle creature ibride che popolano i suoi quadri, più in particolare le scene di mare. Böcklin aveva un'altissima concezione del destino dell'artista e della creazione artistica - come testimoniano i suoi impressionanti autoritratti, tra cui L'Autoritratto in bottega, 1893 (Basilea, Kunstmuseum) e per tutta la sua vita si è confrontato, non senza sofferenza, con le questioni fondamentali della pittura, dell'illusione, della forma e del colore. Il suo compatriota Félix Vallotton**, nel resoconto della mostra giubilare di Basilea nel 1897, per la Revue Blanche, ricorda quanto per Böcklin "dipingere sia una missione elettiva", per lui che è stato "di volta in volta ossessionato da tutti i sogni, da tutte le ambizioni: ambizioni di forma, di colore e d'espressione". Questa ricerca perpetua si riflette nella sua vita itinerante e nell'incessante rinnovamento formale della sua opera. Dopo aver soggiornato a Basilea, Weimar e Monaco, l'artista trascorre gli ultimi dieci anni della sua vita a Firenze. Proprio in quest'angolo d'Italia che diventerà per lui una seconda patria, Böcklin lavora alla creazione di Ulisse e Calipso, 1880 (Basilea, Kunstmuseum) e mette mano alla prima versione di L'Isola dei Morti, (Basilea, Kunstmuseum). FOR MORE SUCH ARTWORKS & ARTISTS' FOLLOW SUJITH PUTHRAN
  8. Franz Richard Unterberger | Romantic landscape painter FOR MORE SUCH ARTWORKS & ARTISTS' FOLLOW SUJITH PUTHRAN
  9. Hello Everybody! My Name is Fabian Zolar. I am freelance visual artist from Germany. My work is all about the contemporary world we live in. Starting with Graffiti and Streetart in 1995, my style is heavily influenced by that. As well , still working on the streets with the direct connection to people, who don´t have to cross a gallery door to see my artwork, is a big inspiration and part of my work. Last years I spent many hours on working to find abstract patterns that underly letter Graffiti, found different patterns, and one of these you can see in the image posted. It is painted with acrylics on canvas and measures about 150x150 cm. But this is not my only topic as my thinking and artistic work is about finding ways to express the contemporary world I am living in. (the patterns described above are one more tool on my way to get my vision materialized) You can see some of my artworks here : http://www.zolart.de http://www.flickr.com/zolarone http://www.steemit.com/@art21 Greetings! Zolar AJ7AHNNgoHptWwdVYcxLJg8F98EP7wnJpz
  10. This week's ArtByte Artist Showcase Winner is painter, Fabian Zolar from Germany! He is the winner of 5,000 ArtByte and will be featured all week on our 150,000+ art community! Street Art How Fabian describes his work: "I am freelance visual artist from Germany. My work is all about the contemporary world we live in. Starting with Graffiti and Streetart in 1995, my style is heavily influenced by that. As well , still working on the streets with the direct connection to people, who don´t have to cross a gallery door to see my artwork, is a big inspiration and part of my work. Last years I spent many hours on working to find abstract patterns that underly letter Graffiti, found different patterns, and one of these you can see in the image posted. It is painted with acrylics on canvas and measures about 150x150 cm." You can see more of his work on the ArtByte Forum here.
  11. Francesco Hayez / Shakespeare | The Kiss, 1859 | Art in Detail Let me not to the marriage of true minds Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O no! it is an ever-fixed mark That looks on tempests and is never shaken; Non sia mai ch'io ponga impedimenti all'unione di anime fedeli; Amore non è Amore se muta quando scopre un mutamento o tende a svanire quando l'altro s'allontana. Oh no! Amore è un faro sempre fisso che sovrasta la tempesta e non vacilla mai; It is the star to every wandering bark, Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come: Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved. Non sia mai ch'io ponga impedimenti all'unione di anime fedeli; Amore non è Amore se muta quando scopre un mutamento o tende a svanire quando l'altro s'allontana. Oh no! Amore è un faro sempre fisso che sovrasta la tempesta e non vacilla mai; è la stella-guida di ogni sperduta barca, il cui valore è sconosciuto, benché nota la distanza. Amore non è soggetto al Tempo, pur se rosee labbra e gote dovran cadere sotto la sua curva lama; Amore non muta in poche ore o settimane, ma impavido resiste al giorno estremo del giudizio: se questo è errore e mi sarà provato, io non ho mai scritto, e nessuno ha mai amato. FOR MORE SUCH ARTISTS' & ARTWORKS FOLLOW SUJITH PUTHRAN
  12. New to Artbyte

    Hello Artbyte Community! Just joined this forum, think it´s a great idea we use internet to publish our artworks. Am curious about the developments planned for the upcoming future! Am happy to be part of this! my pages where you can see some of my artwork are here: http://www.zolart.de http://www.flickr.com/zolarone check out my first artist entry here : Greetings Zolar AJ7AHNNgoHptWwdVYcxLJg8F98EP7wnJpz
  13. Colouring in Photoshop

    Hi, I would like to share with you a time-lapse demo of the process of colouring a page from my book "Oceana". This adult colouring book is available on Amazon if you enjoy colouring. In this case, I show you how to colour using Photoshop. Thanks for watching!!!
  14. New ArtByte Video

    Announcing the release of our newest video, which will go on the front page of our main site and be used in advertisements. We designed the video to be a quick one minute explanation of ArtByte, how it supports artists as well as explaining our technical features.
  15. The ArtByte Summer Artist Tipping Festival on Reddit starts Monday, June 18 2018! Artists & fans, tip an artist and receive double tips yourself! Support your favorite artists and earn for yourself, during ArtByte's Summer Artist Festivals! How it works When you, as an artist or fan tip an artist on Reddit, the ArtByte Foundation will give you back double the amount (up to 40 ABY), when the tip is verified. On Reddit, if the artist does not claim their tip within 2 days, the tip is automatically refunded to you. For example, if you tip another artist 20 ArtBytes, the foundation will give you 40! You can tip as many artists as you like during the summer, but bonuses will only be paid on the first three each day. You can tip any amount you like, we will reimburse the 1st 20 and double it (up to 20 bonus) Only one tip per artist. Need some ArtByte's to get started? We will also give you 20 ArtBytes to get started! Just subscribe to our subreddit (https://www.reddit.com/r/ArtByte/) and post the following to get started: "I support artists!" Post this in the "I support artists" thread. Once you have some ArtBytes, to learn how to tip, check out one of our Reddit threads regarding tipping artists, for example: You can tip artists who post in our thread (/r/artbyte) and in /r/art, /r/artstore, /r/pic, /r/WeAreTheMusicMakers Friday Feedback Thread Rules Artists of all kinds (musicians, actors, painters, dancers, sculptors, film makers, directors, photographers, etc) can receive tips, but must have a link to their website (for verification) for the fan giving the tip to receive double back. You can only tip each artist once, and the double back bonus is limited to three tips per day. So if you tip more than three times a day, you will only get double back on the first three tipped each day. To join the event, your reddit account must be a legitimate account (with consistent activity), at least 6 months old, and have a minimum of 25 karma. Bonuses are paid on tips given Monday - Friday and paid manually once per day. The reimbursed tip amount and the bonus amount will change from time to time based on the price of ArtByte. ArtByte Reddit: https://www.reddit.com/r/ArtByte/ Want to know more about ArtByte? http://artbyte.me
  16. The ArtByte Spring Artist Festival starts on Twitter, Monday April 23, 2018. Artists & fans, tip an artist and receive double tips yourself! Support your favorite artists and earn for yourself, during ArtByte's Spring Artist Festival! How it works When you, as an artist or fan tip an artist on Twitter, the ArtByte Foundation will give you double the amount (up to 40). For example, if you tip another artist 20 ArtBytes, the foundation will give you 40! You can tip as many artists as you like during the sprin (up to 5 per day). You can tip any amount you like, we will reimburse the 1st 20 and double it (up to 20 bonus) Only one tip per artist. Need some ArtByte's to get started? We will also give you 20 ArtBytes to get started! Just tweet the following tweet to @ArtByteMe to get started: Example: (Note, be sure to type the whole link: "http://artbyte.me" not just "artbyte.me" in your tweet) Once you have some ArtBytes, go here to learn how to tip: http://tips.artbyte.me/ And your tipping tweets will be like this example: Rules Artists of all kinds (musicians, actors, painters, dancers, sculptors, film makers, directors, photographers, etc) can receive tips, but must have a link to their website (for verification) for the fan giving the tip to receive double back. You can only tip each artist once, and the double back bonus is limited to three tips per day. So if you tip more than three times a day, you will only get double back on the first three tipped each day. To join the event, your twitter account must be a legitimate account (showing consistent real activity), at least 6 months old, have a minimum of 100 tweets, and have a picture in the account icon. Bonuses are paid on tips given Monday - Friday. And will be paid manually, once per day, The reimbursed tip amount and the bonus amount will change from time to time based on the price of ArtByte. Want to know more about ArtByte? http://artbyte.me
  17. The ArtByte Summer Artist Tipping Festival starts on Twitter, Monday June 18, 2018. Artists & fans, tip an artist and receive double tips yourself! Support your favorite artists and earn for yourself, during ArtByte's Summer Artist Festival! How it works When you, as an artist or fan tip an artist on Twitter, the ArtByte Foundation will give you double the amount (up to 40 ABY). For example, if you tip another artist 20 ArtBytes, the foundation will give you 40! You can, of course tip as many artists as you like and any amount you like. We will reimburse the 1st 20 ABY and double it (up to 20 bonus) on your first tip per day. In other words, we will pay a bonus on one tip per day. Need some ArtByte's to get started? We will also give you 20 ArtBytes to get started! Just tweet the following tweet to @ArtByteMe to get started: Example: (Note, be sure to type the whole link: "http://artbyte.me" not just "artbyte.me" in your tweet) Once you have some ArtBytes, go here to learn how to tip: http://tips.artbyte.me/ And your tipping tweets will be like this example: Rules Artists of all kinds (musicians, actors, painters, dancers, sculptors, film makers, directors, photographers, etc) can receive tips, but must have a link to their website (for verification) for the fan giving the tip to receive double back. You can only tip each artist once, and the double back bonus is limited to one tip per day. So if you tip more than one time a day, you will only get double back on the first tip each day. To join the event, your twitter account must be a legitimate account (showing consistent real activity), at least 6 months old, have a minimum of 100 tweets, and have a picture in the account icon. Bonuses are paid on tips given Monday - Friday. And will be paid manually, once per day, The reimbursed tip amount and the bonus amount will change from time to time based on the price of ArtByte. Want to know more about ArtByte? http://artbyte.me
  18. Louis Treserras, 1958 | Hyperrealist painter French painter⏭, sculptor and photographer Louis Treserras claims to be a self taught painter. For 30 years he has been painting young and mysterious nude female models. His rigorous approach to artistic composition would almost compare to a science, like mathematics. His style remains however poetic an intimist, with a very distinct and soft range of colors. A contemporary artist with a highly classical technique, characteristic of the uncompromising self-taught artist. The looks, gestures and attitudes are all words we hear are deaf yet. Louis Treserras is a painter of his time, he explores his own emotions through his paintings. For nearly 30 years he painted nudes. Defining itself as a self-taught he has put his technical and almost mathematical approach to the body art of a deeply intimate and poetic. For him the artistic adventure began in childhood. In his paintings painted Treserras girls slender, a dreamer or faint. FOR MORE SUCH ARTISTS' & ARTWORKS FOLLOW SUJITH PUTHRAN
  19. ICO Magazine

    ArtByte in ICO Magazine this week Read article here
  20. CryptoCapitalNews interviews ArtByte founder, Mike Cabaniss He answers questions about how ArtByte started, what is happening now, and where ArtByte is going. Read the full article here.
  21. Betta fish drawing coloured

    Hi, I´m glad to show you my Betta drawing coloured by myself. I did it with digital media but I´m sure that with colours pencils, watercolour, acryl, oil or well any media you could do an outstanding result. I leave you here a short slideshow to show the principal stages. If you want to get this one in High Resolution to print, it´s available here. Or if you want a printed poster, framed, ready to hang, you can too! Look here. Anyway, if you love to colouring, my book is always available here on Amazon. Maybe you have not seen my previous publication, related to this? Here the link: Thanks so much for watching my post!
  22. Hello World!

    Hello everyone. My name is Rodrigo Lopes, aka Rodd Lopes. I'm from Brazil and have been drawing and painting since I was a small child. I never used traditional media, which means I've always used digital ways to create my art. Well, except for the time I was a child and used paper and pencil :). Today I paint and draw in Photoshop, Procreate (Ipad) and Sketchbook Pro. I don't have a certain recognizable style if you will. Some people say they can see something in common in all my artworks but I'm not so sure, I usually paint very different themes as Sci-Fi, landscapes, portraits etc. I really don't consider myself a professional artist, first because I don't work with art, I have a job which is quite far from creating art, secondly because I think I still have a long way to go, there are so many things I'm still struggling to learn. I'm a self-taught artist, actually I'm self-taught in pretty much all I know in life, English included. My mother language is Brazilian Portuguese. I like making friends and talking about art, movies, series and books. I'm outgoing and friendly towards everyone. I hope you guys like my artwork. Thanks for having me in this Forum. Below is my online gallery at Artstation: https://www.artstation.com/rodrigolopes THIS IS MY WALLET ADDRESS: ALDhjq8zvTDEF7n72ahTeDTHjMFwU91PxL
  23. Study drawing

    From the album Drawings

    Chalk on kraft paper
  24. Is This True?? artist life ???

    is this true ??
  25. Check out this great post by one of the leading Second Life & VR bloggers, explaining ArtByte: https://strawberrysingh.com/2018/05/10/artbyte/
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